"In Memoriam" is thought-provoking and brings a viewer to tears all over again. Contains some incredible footage not seen elsewhere, including two unbelievable shots of the planes striking the towers. Also contains some new coverage of Rudy Guiliani's actions on the day of the attack - love him or hate him the city couldn't have asked for a better leader that day, and the footage bears this out.

Largely regarded as the most exciting Thunderbirds episode made, after Thunderbird 2 is heavily damaged in a mistaken attack, it leaves the team seemingly without a swift means to transport any rescue gear to New York City to save a news crew trapped underneath the collapsed Empire State Building.

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It seems as if there was no subject so mundane or seedy that it was considered unworthy of filming by Edison and his contemporaries at the turn of the century. Here the cameras - and New York City in 1903 must have been teeming with intrepid cameramen roaming the streets in search of something - anything - to film - capture the work of a few poor souls employed to spread the garbage dumped onto a massive wharf docked by the edge of the (apparently) East River.

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Rosa von Praunheim follows the lives and existential struggles of three contrasting German emigrant women in New York City. The protagonists not only tell of their exciting lives in the hectic metropolis, but many dramatic events also take place during filming.

When a trio of criminals kidnap a rich man's daughter and nurse, a detective goes undercover into the Italian-immigrant ghetto where they're being held.

Peter, Biggi, and Wilfried are cozying up in front of the television. But there's no tennis being played in Flushing Meadow. It's been raining in New York for days.

A closer look at the making of "Klute" (1971). The project follows the complex shooting on multiple locations in New York with major stars Jane Fonda and Donald Sutherland, under the direction of Alan J. Pakula. The two actors and the director share a little about their perspectives on the film and the experience of being part of it.

Filmmaker Jack Bond and Salvador Dali got together at Christmas 1965 to make Dali in New York, a highly entertaining film. Dali devoted two weeks of his life to creating extraordinary scenes for the film, performing "manifestations" with a plaster cast. A thousand ants and one million dollars in cash. When he confronts the feminist writer, Jane Arden, sparks fly. "You are my Slave! I am not your slave. Everybody is my slave." Dali recalls his meeting with Freud, "The last human relationship ever" About his wife, 'But for Gala I would be lying in a gutter somewhere covered with lice" Jim Desmond's dazzling cinematography captures the great artist painting as Flamenco virtuoso Manitas de Plata performs. Dali in New York is a rare treat for anyone who loves film and the living theatre of Dali's surreal universe.